A real fox paw replaces the classical tie. Set in leather and made wearable with a clasp, it takes the place of an accessory traditionally associated with status and affiliation.
The paw originates from surplus materials of a furrier’s workshop – taken from a hunted, not farmed, animal. Through its recontextualisation, it becomes part of a critical ornament.
The work allows no distance. It touches ethical and moral boundaries – between wearability, power, and symbolism. The fox as a cultural-historical sign, the paw as a visible fragment – situated between adornment, disturbance, and memory.
What is touched when something wearable is also disturbing? 
What history resonates – visible, unspoken, unresolved?
photographer: Martin Say